Walt Disney has done devilishly well in animating evil incarnate at the climax of the film.
Particularly animating is the locust simile, with its vivid specificity — “underground,” “seventeen-year” — and its concreteness (unique in this argument about abstractions).
The creative ad shows ground people animating from the sky.
It also appears at the Stella Artois website, where clips and credits for the whole award-winning series (click the advertising link) are archived, and at Glassworks, who did remarkable work in animating the aerial dogfights and smoke.
Should I succeed in animating it, Life and Death would appear to me as ideal bounds, which I shall break through and pour a torrent of light into our dark world.